Upcoming Events at The Rustic - Houston
Description
On the opening track of Shane Smith & the Saints' new Hail Mary LP, "Heaven Knows," singer and guitarist Shane Smith lays bare the last four years of his band's journey. "We set our sails for deeper seas, heaven knows what we will find," he sings.
Event Details
December 20, join us for an Ugly Christmas Sweater Party with Shane Smith & the Saints!
Tickets:
- General Admission: $23 Advance / $25 Day-of Show
- VIP: $50
VIP tickets include:
- Separate VIP entrance
- Access to private VIP area with optimal view of the stage
- Private cash bar
Presale: Wednesday, 10/30, 10am CST - Thursday, 10/31 10pm CST
Public On Sale: Friday, 11/1, 10am CST
About Shane Smith & The Saints:
Since releasing their last prior album, 2015's Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10 stormy tracks that make up Hail Mary, which will be released June 28th.
Now three albums and nearly 10 years into their career, Shane Smith & the Saints are ready to go for broke. "It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade," Smith says of Hail Mary. "We're a scrappy group of guys and this is more or less one of those moments where we're really trying to put it all out there. We're trying to give it our best shot on this record."
Recorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith & the Saints' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio.
"A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He'd be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing," says Smith of the sessions, which were largely tracked live in the studio. "That gave us a little more confidence hearing him build us up on that whole thing."
That extra self-assuredness comes through in each of Smith's roaring vocals and in the band's stampeding melodies. From the crunching title track t
Tickets:
- General Admission: $23 Advance / $25 Day-of Show
- VIP: $50
VIP tickets include:
- Separate VIP entrance
- Access to private VIP area with optimal view of the stage
- Private cash bar
Presale: Wednesday, 10/30, 10am CST - Thursday, 10/31 10pm CST
Public On Sale: Friday, 11/1, 10am CST
About Shane Smith & The Saints:
Since releasing their last prior album, 2015's Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10 stormy tracks that make up Hail Mary, which will be released June 28th.
Now three albums and nearly 10 years into their career, Shane Smith & the Saints are ready to go for broke. "It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade," Smith says of Hail Mary. "We're a scrappy group of guys and this is more or less one of those moments where we're really trying to put it all out there. We're trying to give it our best shot on this record."
Recorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith & the Saints' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio.
"A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He'd be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing," says Smith of the sessions, which were largely tracked live in the studio. "That gave us a little more confidence hearing him build us up on that whole thing."
That extra self-assuredness comes through in each of Smith's roaring vocals and in the band's stampeding melodies. From the crunching title track t
